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Scholarly translations of Gilgamesh often dilute the expressive force of the material through overzealous erudition. Popular versions of the poem frequently gloss over gaps in the text with accessible and comforting, but ultimately falsely ecumenical. LESSON PLANS: Gilgamesh: A New English Version by Stephen Mitchell SHORT SUMMARY: Mesopotamia. The Tigris and Euphrates Rivers. The second and third millennia BCE. The story is simple and compelling. The King of Uruk, Gilgamesh, ruling about the time of 2500 BCE, is two-thirds god, one-third human. He is a bully who abuses his people.

The Epic of Gilgamesh by Anonymous

Andrew Georges masterly new translation (The Times) of the worlds first truly great work of literature

Miraculously preserved on clay tablets dating back as much as four thousand years, the poem of Gilgamesh, king of Uruk, is the world’s oldest epic, predating Homer by many centuries. The story tells of Gilgamesh’s adventures with the wild man Enkidu, and of his arduous journey to the ends of the earth in quest of the Babylonian Noah and the secret of immortality. Alongside its themes of family, friendship and the duties of kings, the Epic of Gilgamesh is, above all, about mankind’s eternal struggle with the fear of death.
The Babylonian version has been known for over a century, but linguists are still deciphering new fragments in Akkadian and Sumerian. Andrew George’s gripping translation brilliantly combines these into a fluent narrative and will long rank as the definitive English Gilgamesh.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising. If you continue browsing the site, you agree to the use of cookies on this website. See our User Agreement and Privacy Policy. See our Privacy Policy and User Agreement for details. Published on May 8, Acclaimed by critics and scholars.

Stephen Mitchell Art

When the great poet Rainer Maria Rilke first read 'Gilgamesh' in , he was awestruck. Along the way, Gilgamesh discovers that friendship can bring peace to a whole city, that a preemptive attack on a monster can have dire consequences, and that wisdom can be found only when the quest for it is abandoned. In giving voice to grief and the fear of death -- perhaps more powerfully than any book written after it -- in portraying love and vulnerability and the ego's hopeless striving for immortality, the epic has become a personaltestimony for millions of readers in dozens of languages. In Stephen Gilgamesh, the son of a man and a goddess, is king of the ancient Sumerian city-state of Uruk. Gilgamesh creates too much trouble with the women in the city state and the gods made a man who will be a

Editorial Reviews

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With an OverDrive account, you can save your favorite libraries for at-a-glance information about availability. Find out more about OverDrive accounts. Gilgamesh is considered one of the masterpieces of world literature, and although previously there have been competent scholarly translations of it, until now there has not been a version that is a superlative literary text in its own right. Acclaimed translator Stephen Mitchell's lithe, muscular rendering allows us to enter an ancient masterpiece as if for the first time, to see how startlingly beautiful, intelligent, and alive it is. His insightful introduction provides a historical, spiritual, and cultural context for this ancient epic, showing that Gilgamesh is more potent and fascinating than ever. Gilgamesh dates from as early as BCE -- a thousand years before the Iliad.

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Gilgamesh is viewed as one of the show-stoppers of world writing, yet as of recently there has not been a form that is a standout abstract content in its own right.

Acclaimed by pundits and researchers, Stephen Mitchell’s rendition permits us to enter an old magnum opus as though unexpectedly, to perceive how startlingly excellent, wise, and alive it is.

Book File : Gilgamesh: A New English Version
Book Author : (Paperback)
File Length : Full Page
Rating : 4.5
Total Review : 509
Price on Amazon : $10.29

Review Gilgamesh: A New English Version

~ Thank God for the interpretation and abstract clarifications Mitchell puts on this book.

The main portion of the book is Mitchell’s interpretation of the book, where he gathers what is happening and afterward elucidates the profundities of the significance behind it. It’s a simple and straight forward clarification that took me possibly 50% of a strong day of perusing.

At that point there’s the subsequent half, which is the genuine ‘Epic of Gilgamesh’ as it was interpreted. Likewise straight forward, yet without Mitchell’s ‘in the background clarification, it just peruses like a one dimensional story.

Thus, express gratitude toward God Mitchell composed the clarifications how he did (simple to peruse, took the entirety of a day to peruse the whole book, as around 1/3 of it is basic references) – on the grounds that without Mitchell’s clarifications, to me (and I envision a great deal of others) the profundity of Gilgamesh would have been promptly lost.

~ I got this coincidentally. My girl required a release of Gilgamesh for school, and I got this rather than the version she required. I am SO happy I did.

I have been needing to peruse Gilgamesh for quite a long time. I got a duplicate in school, I was unable to endure. I got another duplicate on some other event, I was unable to endure. Scarcely overcame the initial not many pages.

THIS one… I love it. Simple to peruse. Simple to follow the story. A lot of notes in the back where he clarifies when and where and why he settled on the interpretation decisions he did. Basically incredible.

Can’t express enough beneficial things about this release.. Well worth perusing. It is really a fun and energizing story once you move beyond all the insightful stuff, which is normal. Gilgamesh wasn’t composed as writing, it was an experience story, and Stephen Mitchell takes it back to it’s extremely, old roots.

~ I just wrapped up perusing this variant of Gilgamesh, I’m actually feeling the gleam. I’m not new to Gilgamesh – I had perused a few forms as of now, however I am new to Stephen Mitchell. This variant is by a wide margin the best I have perused! Starting with a 65 page acquaintance which I discovered superb with read (Do yourself some help and don’t skip it – It, also is intriguing and energetic and you’ll appreciate the writer’s bits of knowledge) – Michell’s capable composing brought life and a feeling of individual association with this work that I had missed in past readings. Mitchell’s words streamed with cadence and feeling all through this incredible writing, made more prominent than I had recollected in the possession of different scholars.

I bought this work for my Kindle, yet taking into account one of the analyst’s grievance that the eBook was shown in writing as opposed to as it shows up on paper, I likewise picked to purchase the printed book also. After opening the printed version, I was baffled to find that the print all through was in a minuscule and light text style … unquestionably not what I would have wished. So I went to my Kindle release: I encountered no issue at all in the “composition versus verse” lines – The mood was self-evident (and delighted in by me) notwithstanding absence of line breaks. I’m so happy I purchased the eBook – Very charming perusing and with no eye strain.

Just a single issue: I was astounded to find that I had arrived at the end unexpectedly early … I had gotten so immersed in the story that the time flew, and, however I wasn’t perusing for speed, it was probably the quickest perused I’ve had the joy to finish.

~ I had not perused the whole Gilgamesh story previously, however I read a few sections in secondary school English class. This is an incredible release that integrates the sections of the Gilgamesh story that have made due for a great many years in a manner that appears consistent with the manner in which it was written in the first language and text. I delighted in tuning in to the stories, and particularly the critique about the composition of this form and the exploration engaged with sorting out the pieces. Pleasant, particularly for a lengthy, difficult experience trip.

~ This rendition of the incomparable Babylonian epic Gilgamesh is tremendously coherent and enthusiastic, Mr. Mitchell’s adaptation doesn’t attempt to overawe the peruser however endeavors to make the material congenial, and at this he unquestionably succeeds. My own lament is that the supervisor/interpreter – Stephen Mitchell’s presentation was so careful and long that everything except made the real story excess. While educational, the presentation was an over the top pass up blow record to be named an appropriate presentation, it was fairly a ” summation en toto” {that’s a term I just made up however I think you get the image.

~ This Stephen Mitchell book is a superb introduction of The Epic of Gilgamesh. The translation of the content makes the story significantly more justifiable. The wide underpinnings of the legend story – the incredible flood, the grieving of the departure of a friend or family member, the quest for unceasing life – are made justifiable. This is profoundly clear and agreeable introduction of an exemplary fantasy.

~ This is an audit of the Kindle form of Mitchell’s “variant” of Gilgamesh, not simply the “adaptation.” I utilize the expression “rendition” in light of the fact that, as Mitchell himself concedes on p. 65, this isn’t an interpretation. What Mitchell’s done here is to cobble different English interpretations together into his own “adaptation” of the epic. Furthermore, his “variant” is impeccable and famously clear. I’ve shown it for quite a long while, and I’m constantly flabbergasted at how understudies react so decidedly to this antiquated story. Tragically, the Kindle adaptation overlooks the consideration with which Mitchell coordinates/masterminds his “rendition” into refrain (which he clarifies on pp. 65-66) by not holding the beautiful arranging. All things being equal, Mitchell’s “adaptation” is transformed into an exposition story, accordingly surrendering something that makes his “form” so open. I restored my Kindle duplicate along these lines, and I’d urge others to do likewise.

Stephen Mitchell Author

~ This is actually an extraordinary variant of accordingly epic story. An ideal portrayal, and arguing reward material of Stephen taking audience members through the epic and making it much more open and altogether agreeable. I truly prescribe it to any individual who may have heard the name Gilgamesh or Uruk and needs to know more. You won’t be frustrated! The main issue I can discover is with the CD case, where cds will in general drop out of the inward card embed in a pleasantly designed card case. Very little of an issue however.